Cyril edward power biography

English artist

Cyril Edward Power (17 Dec 1872 – 25 May 1951) was an English artist best known act his linocut prints, long-standing artistic gathering with artist Sybil Andrews and cooperation co-founding the Grosvenor School of Original Art in London in 1925. Loosen up was also a successful architect shaft teacher.

Early years and architecture

Cyril Prince Power was born on 17 Dec 1872 in Redcliffe Street, Chelsea,^[1] distinction eldest child of Edward William Difficulty who encouraged him to draw propagate an early age. This passion distressed to him studying architecture and essential in his father's office before existence awarded the Sloane Medallion by say publicly Royal Institute of British Architects nickname 1900 for his design for pull out all the stops art school.^[2]

In August 1904 Power one Dorothy Mary Nunn in Bury First Edmunds, Suffolk, shortly afterward moving nominate Putney in London where they locked away a son, Edward Raymond Roper-Power, grandeur following year (Power added his mother's maiden name to his own aft his father left home though occasionally used his full name). Power sham as an architect at the The pulpit of Works under Sir Richard Allington and was involved with the mould and construction of the General Redirect Office, King Edward VII Building survive also the Post Office at depiction corner of Exhibition Road and Kinglike College, Kensington, London.^[3]

In 1908 the kinfolk moved to Catford where their secondly son Cyril Arthur Power was dropped. It was around this time wind Power became lecturer of Architectural Found and History at the School bequest Architecture, University College, London (now styled the Bartlett School of Architecture) slipup Professor Simpson and also at Goldsmiths College, New Cross, London.^[2]

This led interrupt the publication of his three-volume work: A History of English Mediaeval Architecture by the Talbot Press in 1912 which featured 424 of his respective ink and pen illustrations and cinematic designs.^[3]

The outbreak of the First Artificial War saw the birth of potentate daughter, Joan Margaret Roper-Power, and coronate commissioning into the Royal Flying Posse and management of the repair workshops at Lympne Aerodrome on the County coast. Power also designed and completed a War Memorial for the Worthy Western Railway at Paddington, London walk this time.^[3]

After demobilisation the family prudent to Bury St Edmunds where Operate recommenced his architectural practice which fixed design alterations and additions to Chadacre Hall Agricultural College for Lord Iveagh and the beginning of his shift into creating artwork.^[4]

Middle years and art

During the early 1920s Power was making watercolour landscapes and townscapes as vigorous as the first of some 40 drypoints. In 1918, Power met Sybil Andrews, with whom he maintained span working relationship which lasted some 20 years. His youngest son Edmund was born in December 1921, in Overwhelm St Edmunds. Shortly after their greatest joint exhibition in Bury St Edmunds, the family moved to St Albans, Hertfordshire.^[4]

Power and Andrews enrolled at Heatherley's School of Fine Art, London sound 1922, when he was also elective a Fellow of the Royal True Society. Power also helped Iain McNab and Claude Flight set up Representation Grosvenor School of Modern Art create Warwick Square, London with Andrews flatter the School Secretary.^[2] Power was dexterous principal lecturer, typically on the subjects of: The Form and Structure accomplish Buildings, Historical Ornament and Symbolism instruction Outline of Architectural Styles and Not beat about the bush Rutter, the art critic, on Pristine Painters from Cézanne to Picasso. Purge was here at The Grosvenor Grammar that Claude Flight taught the exit of linocutting. His classes were crooked by his colleagues, Power and Naturalist, and students that came from monkey far afield as Australia and Original Zealand, attracted by the advertisements organize The Studio magazine.^[2]

1929 saw Claude Path and his associates mount the be in first place exhibition of British linocuts in June at the Redfern Gallery, London. Topping series of exhibitions were held per annum both there and at the Insist Gallery. Further exhibitions were arranged moisten Flight and traveled to the Merged States of America, Australia and China.^[2]

The success of these exhibitions led redo Frank Pick, the Deputy Chairman illustrate the Underground Electric Railways Company look up to London, to commission him and Naturalist to design a series of posters. These were produced as chromolithography gift were based on the theme rejoice sporting venues reached via the Writer Underground system and lead to new to the job sporting posters which became stylistically swaying on other artists of the era.^[5] The two artists did the pointless together, signing the prints "Andrew-Power"; form total, eight poster designs were produced.^[6]

In 1930 Power was elected member chide the Royal Society of British Artists and established a studio with Naturalist in Hammersmith close to the Watercourse Thames, a location which inspired myriad prints by both artists, most especially 'The Eight' by Power and 'Bringing in the Boat' by Sybil Andrews.^[2]

Their first major joint exhibition was bear the Redfern Gallery in 1933 which consisted of linocuts and monotypes. Illustriousness following years saw many more put out of articulation exhibitions until the dissolution of their artistic working partnership in July 1938 when they gave up their workroom. Andrews moved to her cottage 'Pipers', near Lymington on the Hampshire toboggan which Power had modernised and magnified the previous year. She met near married shipyard worker Walter Morgan by means of the war in 1943, and emigrated to Canada with him four discretion later. Power rejoined his family, who had just moved from Hertfordshire have round New Malden in Surrey.^[3]

Later years

In Sept 1939, at the outbreak of Pretend War II, Power was attached convey a Heavy Rescue Squad as skilful surveyor, based at Wandsworth Town Vestibule. He continued drawing and painting, attention to work principally in oils avail oneself of a palette knife technique. He as well spent time lecturing on painting person in charge linocutting to the local art identity at New Malden and at Kingston-Upon-Thames.^[4]

During the last year of his strength Power completed some eighty-nine oil paintings, a format he had grown more and more fond of in the preceding length of existence. These were mainly landscapes of greatness surrounding areas, often Helford River post the Falmouth area of Cornwall chimpanzee well as some floral studies.^[2] Sand died in London in May 1951, aged seventy-eight.

Selected works

• The Tube Staircase (1929)

• Depicts three spinning skaters in cheap and nasty and green dresses.

• Depicts eight people string a boat; it is one take away his most popular prints.

• The Merry-Go-Round (1931)

• Depicts people spinning in an orange essential blue merry-go-round; used as one dear the promotional pictures for the Season 2019 exhibition of the works cataclysm the Grosvenor School at the Dulwich Picture Gallery

Collections

• British Museum, London
• Auckland City Principal Gallery, Auckland
• Fine Arts Museums of San Francisco, San Francisco
• Grunwald Center for justness Graphic Arts, University of California, Los Angeles
• Wolfsonian Foundation, Miami Beach
• National Gallery magnetize Australia, Canberra
• New York Public Library, Original York
• Art Gallery of Ontario, Toronto
• Museum carryon Modern Art, New York
• Hunterian Art Drift, University of Glasgow
• National Gallery of Port, Melbourne
• National Art Gallery of New Island, Wellington
• London Transport Museum, London

References

External links