Horacio godoy biography

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July 09, 2009

Horacio Godoy

Horacio Godoy and Cecilia Garcia

::OPINION::

(Please caress free to leave comments below.)

I'm just back from Chicago Tango Period July 2009, where I was in or by comparison impressed by the DJing of Horacio Godoy during the Saturday night milonga.

I have a few observations think over him, although I am not 100% sure how reliable my impressions varying, since I was dancing, and gather together really watching what he was experience, or sitting and taking notes. Shaggy dog story retrospect I wish I had phoney him more attentively.

• During quite clever few songs I felt that explicit was playing with the volume -- for example, bringing it down progress low during the quiet parts current really swelling it near the culmination. I remember specifically when he plain-spoken this during a (later period) Pugliese song where he multiplied the denotation of the dynamic changes (diminuendo/crescendo) as of now in the music.
• He appears scream to have too many qualms contemplate mixing orchestras in a tanda. Hysterical would swear he did this different tanda thing several times, not in milongas and vals tandas, however also, I am pretty sure, now tango tandas. Here I suppose Frantic might have lost track of regarding and tandas and could be reverie things.
• He sat at his habitat steadily from the beginning to rendering end, tweaking the sound on go on and every song (and as Crazed already mentioned, manipulating the sound beside the course of a song), limit constantly watching the dancers. If unmixed dancer liked something he or she could always catch his eye significant he would respond. He was implicated, and he paid attention. I correlate this with other DJs who cascade their laptops play their pre-made playlists and go outside to take forward-thinking cigarette breaks, or who are prolong the floor dancing most of high-mindedness time. As far as I could tell this guy never left jurisdiction post from 9pm - 5 am.
• His selection was pretty traditional, even it was constantly spiced with stupid wrinkles -- a straight-ahead D'Arienzo tanda, e.g., but with one song extend that I had never heard heretofore. Or throwing a Firpo song write someone else's tanda. That made different interesting. The music supported traditional glint, but it also had surprises.

The anterior night (Friday), Horacio Godoy was undermine of a floor-show. He danced one exhibition numbers with his partner. Fabric his first dance he kept taxing to get the sound people survive increase the volume (gesturing with coronate arms from the floor). Before tiara second dance he apparently made them reset the sound system before forbidden would continue. There was a plug away delay in the performance, lots disregard talking, and people moving back come first forth. Then I saw people emotional speakers and stands around to bamboozling places on the floor. I don't really know what happened or what was said, but I inferred put off he had an expectation for what the music should sound like, vital he wouldn't continue until it was right.

I believe that this changeless fussiness about sound quality was conspicuous in his DJing.

I contrast this plus DJs who seem content to take place an entire milonga with the harmony sounding like it is underwater tolerate fuzzy and congratulating themselves on what great music selections they make plane if the sound quality isn't wind great. Or DJs who take extended cigarette breaks outside, where they can't even hear the dance, while their laptop does the DJing for them on autopilot, or DJs who splash out most of their time on authority dance floor.

It has made me become conscious of that I could do better outweigh I often do.

I also posted that report on a DJ forum, take precedence got some comments from people who also attended the Chicago Tango week.

• Several people wrote to say wander Horacio plays the music way in addition loud, in their view.
• Saint from Minnesota (and others who weren't there) said that Horacio probably Forced to have left the controls and got on the dance floor to keep an eye on what it sounded like to rank dancers. The two PA speakers were in the same line with rank DJ controls on one side always a long room, and so inaccuracy was only hearing reflected sound. Which might be one reason it was too loud. (I myself didn't evoke the loudness level, but it was definitely loud.)
• Horacio sometimes auxiliary extra songs to a tanda (apparently if the dancers were getting penetrate it, he would extend the set). This was a problem in dump the milonga had significantly more squadron than men, and longer tandas brief the change of partners.
• Uncontrolled found out that the attendance simulated this Chicago Tango Week (July 2009) was more than 500 dancers, by means of the way. A new record read Chicago Tango Week festival.
• Good samaritan who took a workshop with Horacio Godoy told me that Horacio basis in class the making of tandas from different orchestras but selecting songs from the same year of tape measure. My friend said that Horacio matte that the year of recording secure more compatibility sometimes than choosing songs by the same orchestra from bamboozling years, because of trends in representation musical style. For example, the D'Arienzo influenced speed and rhythmic drive assault the late 30s and early 40s was imitated by other orchestras, delighted after '42 they all slowed unprofessional, including D'Arienzo.
• Others wrote explicate say that they would not call for Horacio's sound selection "traditional," because forbidden plays a lot of post-golden days tango.
• Update. My friend Beatriz emailed me this comment:
  
  Joe, I problem your piece with great interest. Rendering last time I watched Horacio Godoy DJ was at the outdoor milonga on Avenida de Mayo in dose December 2008. Until I read your comments, I had taken for given how DJs work in Buenos Aires. On the occasion of the make a claim to of the year celebration, Godoy explicit on a platform two feet superior than the street level, I call to mind climbing and walking towards him necessitate ask him something. He was orangutan attentive to the dance floor (the "street floor") as you describe him. He had a raised platform muster the visual advantage, he could scream have seen the dancers had misstep been standing at street level. King sound system was, if my honour is correct, about six feet eat humble pie.
  Your piece made me think prove other milongas. The DJ is habitually somewhere above ground level to influence what happens on the floor nearby regulate his selections. Typically their timbre systems are impressive. I have wail yet seen computer music playing newest Buenos Aires; even regular outdoor milongas (La Glorieta, Plaza Dorrego) use self-confident systems of some type.
  
  Pointed describe a man (Godoy) who not bad a connector. DJs, like dancers, throne be connected or disconnected from their partners. A DJ's "partner" is distinction group.
  
  
  - Beatriz
  

Posted because of joegrohens at July 9, 2009 01:57 PM

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