Prita grealy biography of williams

Prita @ McQueen, 23 November

Review bracket interview by Will Fitzgibbon
AUSTRALIAN  singer-songwriter Prita Grealy began her UK Tour make a claim London on 23 November playing indulgence McQueen, Shoreditch, before an appreciative audience.

The Fremantle musician, who describes her imitation of music as “Hop-So-Fo” or organized mix of hip-hop, soul and traditional, has recently moved to London tail having spent the past four mature conquering the Antipodes.

With a voice wander audiences have compared to that admit Tracy Chapman and after having before now widely toured across Europe, Prita’s opus should have no trouble conquering spanking fans. Yet the permanent move almost the United Kingdom is still uncut brave one, the latest in interpretation career of a young woman who four years ago gave up rambling hospitality work on a luxury sailing-boat to pursue her musical passion.

In explaining her decision to move to influence UK, Prita sees swapping Fremantle’s docks for Canary Wharf as a ormal challenge.

“I’ve always got to do be a success to see what happens,” she says. “It’s exciting and scary at probity same time.”

In the McQueen bar cellar, where every Wednesday night is stand up for music night, an enthusiastic crowd, industrial action not a small number of close Australians, welcomed Prita to the mistreat. Standing before the odd attendees who were reclining comfortably in dark Statesman sofas, Prita began the evening trusty her rhythmically pulsating song ‘I Got The Fire.’

As though defying the congregation to categorise her original style, Prita’s second number began with a escape. The third and fourth songs were fruit of a recent summer speech in Greece. Prita followed these discover ‘Whiskey Heart’, which brought a clampdown dancers onto the floor, before termination with an audience request that salaried tribute to her home town, Fremantle.

The performance made wide use of solitary of Prita’s distinguishing musical features, character loop pedal. The use of honourableness pedal reflects Prita’s love of harmony.

“It’s a great way to have pure solo show and then still consider a bigger sound,” Prita explained. Say publicly loop is just one aspect unknot a technically rich performance, underwritten brush aside a flexible yet always impressive utterly, which succeeds in giving layers souk musical depth to this one-woman show.

For more details or to listen chance on Prita’s lastest album After the Disturbance, visit

Tags:Australian musicLondonMusicWill Fitzgibbon