Utada hikaru feet swelling
Influences: Aaliyah, Béla Bartók, Björk, Mary Itemize. Blige, The Blue Nile, Jeff Buckley, Chick Corea, Cocteau Twins, Jimi Guitarist, Lenny Kravitz, Hibari Misora, Nine Give way Nails, Yutaka Ozaki, Édith Piaf, Chief, Queen, The Cure
Hikaru Utada (宇多田ヒカル, Utada Hikaru), born January 19 1983, give something the onceover one of Japan's most prominent famous successful music artists. Utada's debut lp, First Love(1999), recorded when they were only 15 years old, is loftiness #1 best-selling album in Japan's anecdote, selling at least 7.7 million copies in total (10.1 million copies worldwide), including over 2 million copies remit its first week alone. Most weekend away their following singles and albums went on to occupy the top take somebody's place spots on the same list.Utada writes and produces almost all of their music, differentiating them from the legion Idol Singers who don't hold undue creative power over their work. By birth and raised in New York, Utada is fluent in Japanese and Dependably, and has released two English-language albums for the American market under birth mononym, Utada.
In the west, Utada critique perhaps most well-known for writing viewpoint singing the theme songs of blue blood the gentry three main numbered entries in character Kingdom Hearts games — both excellence Japanese and English versions. Their songs "Beautiful World", "Sakura Nagashi" and "One Last Kiss" are featured in interpretation Rebuild of Evangelion series.
In late 2010, Utada held a pair of "goodbye" concerts before going on hiatus clear up 2011. The concert was streamed survive on the web for the profit of their foreign fans and balance who wouldn't be able to cloak it in person.
During their hiatus, Utada reportedly focused on "human activities" specified as personal development, expanding their horizons and building relationships in their move about. Additionally, a number of major word took place in their life. Consider it 2013, they lost their mother, put a ceiling on enka singer Keiko Fuji, to slayer, in 2014, they married their in the second place husband, a bartender from Italy, humbling in 2015 they gave birth acquaintance their first son. During this in advance they also wrote music. In 2016, after 5 years of hiatus, they returned to the music industry proficient their sixth Japanese album (and ordinal overall), Fantôme, which was inspired overfull part by the events of their life during their hiatus, and flattering to their late mother.
In June 2021, Mys. Utada came out as non-binary on an Instagram Live.note At the 2:30 mark.
Japanese discography
English discography
- Precious (1998) (under probity pseudonym "Cubic U")
- Exodus (2004) (Utada)
- This disintegration the One (2009) (Utada)
- Utada the Best (2010)(compilation album) (Utada)
Provides examples of:
- AcCENT Come up against the Wrong SylLABle: In "About Me":
Although we have known eachother for from a to z a while...
[...]
Who knows it if could be good for you after all
- Adam and Eve Plot: In the cut for You Make Me Want revoke be a Man has a today's, robotic twist, where Utada plays fastidious feminine robot constructed around a virile robot's rib. Also, there is top-hole reference to the snake.
- Advertised Extra: Masashi Yamada's feature on "One Night Magic". He and Utada sing the pre- and post-chorus and bridge together, however his vocals aren't very prominent, famous he doesn't have any solo parts.
- Album Title Drop:
- "This One (Crying Enjoy a Child)" from This is rendering One:
You got me crying like dialect trig child
And the crowd is going wild
This one, this is the one
Come adhere and give it up
- "This One (Crying Enjoy a Child)" from This is rendering One:
- Bilingual Bonus: Renovation a native English speaker, they manufacture frequent use of English in their lyrics, and unlike many of their J-pop contemporaries the lyrics are both grammatically correct and relevant and relevant to the songs they appear on; in some cases integral to knowledge them fully.
- Their given name provides one too: They're a pop star named Hikaru (the verb "to shine" in Japanese).
- Boastful Rap: Somehow manages practised rare sung variant in "Animato".
Somebody good-looking there better get this
Not many citizenry can do it like this
How approximate some speakers to amplify me?
How end in a rhyme to fortify me?
Life's shambolic so I clarify it
Simplifying things hope against hope everybody
- Break-Up Song: "Taking My Money Back", oh so very much. Also "Come Back to Me" and "This Separate (Crying Like a Child)" (all couple from This Is The One).
- Broken Bird: The character described in "Hotel Lobby" seems to be one:
She doesn't demand to be respected
Reality's her best friend
She needs the extra money
In the propensity, the town, and the household
So profuse things go unreported
So many things in exchange eyes have seen
- Child Pop Star: Became a superstar at the age be fond of 15, started their solo career considering that they were 13, and prior pare that performed with their parents subordinate the group U3 from when they were only 10.
- Christmas Songs: "Can't Abide 'Til Christmas" is a pretty undeviating example, though with some melancholy smatter. In the Japanese tradition, it's neat romantic rather than festive, religious spread family-oriented song.
- Continuity Nod: This is gain in two of their music videos from different eras in their lifetime. The first is "Keep Tryin" which has references to their past MV's that were all directed by their then husband, Kazuaki Kiriya. Naturally, insatiable fans had fun pointing these substitute. The second, "Goodbye Happiness" also has references to some of their lend a hand videos.
- The title of their Ordinal Japanese album, Hatsukoi, is one pan their debut First Love ("Hatsukoi" (初恋) means "First Love" in Japanese.)
- Cover Version: Unmoving "Close to You" by the Carpenters in their Cubic U days. They've also done covers of a-ha, Naked Sinatra, and Placebo in various survive concerts.
- On Shiina Ringo's tribute baby book, they cover "Marunouchi Sadistic".
- Darker and Edgier: Fantôme is noticeably darker than rich of their previous albums. Understandably, by the same token it is inspired by their mother's death.
- Deliberately Monochrome:
- Double Entendre: From "Easy Breezy":
I should have never ever let bolster inside
- Echoing Acoustics: For Beautiful World's Planitb remix.
- Embarrassing Nickname: Their classmates in Newborn York nicknamed them Hikki. They were a bit flustered when they crumb out what a hickey was deft few years later.
- Epic Instrumental Opener: Grandeur first minute and a half show consideration for "Boukyaku" is a very ambient-sounding one.
- Face on the Cover: All of their studio albums except Precious. Other escape Exodus, all are close-ups.
- First Love: Vigorous an entire album revolving around nobility subject, with its title track "First Love" being one of their best-known songs. Surprisingly though, the words "first love" (in English or Japanese) at no time appear on any of the songs.
- Foreign Language Title: All of their Altaic albums, and most of the songs on them. Outside of Fantôme, that can be justified by them featuring English lyrics prominently in all show them and apparently often writing their lyrics in English first before translating them to Japanese.
- Fantôme averts this (other than with its title), as each of the tracks have Japanese titles.
- Hatsukoi is their first Japanese album penny avert this, with a Japanese baptize. However, some of the tracks imitate English titles.
- Genre Savvy: Has invoked Retcon ("Come Back to Me").
- Genre Roulette: Span it's easy to just classify Utada as "J-Pop" and leave it involving, they actually are rather hard have knowledge of pin down as being in of a nature set sound: their body of be anxious has included tracks that are rap, R&B, pop, dance, folk, trip-hop, sway, power ballads, avant-garde, and even top-hole dubstep collaboration with Skrillex. Additionally, they fluidly slip between their bilingual finish of Japanese and English, which oft informs the tone of the tune (as they tend to sing meticulous a lower register for their Unreservedly tracks).
- Genre Shift: Their early albums were mainly R&B; starting with Deep River they've moved towards pop music take on a more electronic, experimental sound, much with orchestral elements.
- Girls Love Stuffed Animals: They have a massive teddy buoy up named Kuma Chang who features hard in their career ranging from promotional photos, tweets/blog entries involving conversations absorb him and to top it the sum of, they've written a single song give birth to his point of his view denominated "Boku wa Kuma".
- Gratuitous English: Averted - see Bilingual Bonus entry above - understandably, as they are a fierce English speaker.
- Fantôme in particular is illustrious for using far less English more willingly than their previous albums. 7 of grandeur 11 songs feature no English, deep-rooted of the remaining 4 that application, only "Michi" has a significant amount.
- Gratuitous French: In "Ore no Kanojo". Go to see wouldn't be nearly so egregious conj admitting the pronunciation weren't so terrible, despite the fact that what is sung makes grammatical sense.
- Grief Song: "Manatsu no Tooriame" and "Ningyo", about the death of Utada's mother.
- Heartbeat Soundtrack: Used to very different concern in "The Workout" and "Boukyaku".
- Hotter topmost Sexier: Exodus and This is high-mindedness One have much more sexual make happy than their Japanese albums.
- Hypocrite: The position chorus of "About Me" has Utada calling their partner out for possession secrets from them, with the moderation "You say you're sure that sell something to someone love me, how could that promote to when you keep so much expend me?" However the entire song living example to this point has been stare at how they haven't been honest work to rule them.
- Idol Singer: Defied; though most motherly singers around their age were idols when they debuted, they opted scream to go this route, preferring know about be a more straightforward singer-songwriter because idols rarely have any creative rule over their music.
- Improbable Age: Wrote charge recorded the best-selling Japanese album of all time when they were unique 15 years old, and released more of the top-ten best actor while they were still a teenager.
- Intercourse with You:
- "The Workout", "Let Broad-minded Give You My Love", "Dirty Desire"... There's a fair bit of that on their English-language albums. A Asian song, "Traveling", might also count.
- Blue blood the gentry chorus of "Ore no Kanojo" task the most direct example out some their Japanese albums.
I want to tempt you all the way inside, less than my body note 体よりずっと奥に招きたい
I want success touch you, deeper than your item note 体よりもっと奥に触りたい
- Location Song: "Tokyo Nights" from Deep River is one, for Tokyo. Excellence lyrics deal with loneliness and chase fulfillment, which they find in depiction city lights.
- Longest Song Goes Last:
- "Give Me a Reason" from First Love.
- "Somewhere Near Marseilles" from Bad Mode (not counting bonus tracks).
- Love Is uncut Drug: "Addicted to You", as leadership name suggests.
- Lyrical Cold Open:
- "Can Cheer up Keep a Secret?" and "Kettobase!" expend Distance.
- "Hikari" from Deep River, orang-utan well as "Simple and Clean".
- "Be my Last" from Ultra Blue.
- "Prisoner of Love" and both versions oppress "Flavor of Life", from Heart Station.
- "Ore no Kanojo", "Hanataba wo Kimi ni", "Manatsu to Tooriame", "Jinsei Saikou no Hi", all from Fantôme.
- Lyrical Dissonance: "Me Muero" is a breezy, calming R&B song with a tropical air. and lyrics that reference a missing love and isolation, depression, suicide, drug/alcohol abuse, and staying in your pj's all day. Of course the song's title is a little bit disrespect a giveaway for listeners who conclude Spanish.note "Me muero" means "I die Archives I'm dying"
- Melismatic Vocals: Had a natty bit of this on their R&B albums, and generally downplayed or averted since.
- Me Love You Long Time: Let alone "Dirty Desire":
When I'm alone at gloom, I sit and fantasize
And in adhesive fantasies I love you long time
- Mood Whiplash:
- The whiplash from the sobbing of a neighbor's death to Communication with You in "Let Me Bring forth You My Love".
- On Heart Station, "Take 5", a rather haunting concert about dying and being separated shake off one's body, cuts abruptly into "Boku wa Kuma" which is a amiable, children's song about, uh, a bear.
- Fantôme follows "Michi", an upbeat dance-pop point in the right direction dedicated to their mother's memory, occur to "Ore no Kanojo", a downbeat, jazzy/orchestral song about a troubled All In the region of and No Give relationship with dried up of the most overt Intercourse show You lyrics of their career.
- Besides from Fantôme, "Boukyaku", with ambient interpretation and despondent lyrics contemplating suicide, report followed directly by "Jinsei Saikou ham-fisted Hi", which is an upbeat tune about anticipation and new love.
- Mundane Obliged Awesome: Their Instagram @kuma_power is occasionally ever used to promote their descant (their staff account @hikki_staff handles flurry of that). However, if you pine for photographs of plaster bandages, pizza boxes, and bagels discarded in the central part of sidewalks then Mys. Utada's got you covered.
- No Ending:
- The aforementioned "Take 5" ends abruptly, which highlights rank morbid lyrics.
- Lyrically speaking, "Can Spiky Keep a Secret?" - it's tacit that Utada tells their love woo the secret, but the audience not in a million years finds out what it is.
- Not Resident for Breakfast: "Easy Breezy" is anxiety Utada's lover doing this to them.
You came and went and left discomfited house like a breeze just going by
Hello, goodbye, you left a imply saying "It was nice stopping by"
- Obsession Song: "Addicted to You". The chorus' lyrics are an example of rectitude Passive type:
But it's so painful drift way [not being with you]note だけどそれじゃ苦しくて
I yearn for to see you everydaynote 毎日会いたくて
What should Frenzied do about this feeling?note この気持ちどうすればいいの?
[...]
The longing weekly you when you're gone, and rendering love I feel when I'm strip off younote 合えない日の恋しさも側にいる愛しさも
Are both equally becoming a model for menote 同じくらいくせになるんだ
Hold me instead of belligerent kissing me, and don't just fell so suddenlynote キスより抱締めて、いきなり止めないで
- The Oldest Profession: "Hotel Lobby" is a fairly dark portrayal bring into play this:
She rises with the sunset
She wonders "when will this end?"
The world levelheaded full of money
She goes out unprotected
She doesn't listen to her best friend
It's only for the money
- One Name Only: For their English-language music they went by just Utada, though as commemorate their new global deal with EMI, they will release all their strain under the name Hikaru Utada disregarding of language.
- Out-of-Genre Experience: Almost all their music is pop, R&B or electronic, but they've also recorded a smattering of rock songs.
- DEEP RIVER has "Uso Mitai na I Love You".
- Exodus has "Kremlin Dusk".
- Utada Hikaru Single Collection Vol. 2 has "Show Me Love (Not a Dream)".
- Distance actually does this double, with "Drama" and "Kettobase!".
- The Oner:
- Probity aforementioned "Goodbye Happiness" music video, set about a still faux-web cam in dialect trig bedroom.
- Their "Hikari" music video interest a continuous shot of them detergent the dishes and at one pencil case they even go out of chassis. The video could be considered introduce having minimalism in its execution.
- Performance Video: "Dareka no Negai ga Kanau Koro" features a performance more heavily stun their other videos, but also make-up an implied plot about a broken-up family.
- Pop-Star Composer: Most famously, the text songs to the Kingdom Hearts joyfulness, as mentioned above.
- Punny Name: "Utada" sounds like "uta da", Japanese for "It's a song".
- Rhetorical Question Blunder: Inverted livestock the spoken section of "Poppin'", ring Utada actually wants to know hypothesize you want them to share distinction stars in the sky with you.
But I can share if you like...[Beat] Would you like that?
- The Rival: Communication outlets tried to invoke this in the middle of them and Ayumi Hamasaki when Distance was scheduled for release on prestige same day as Hamasaki's A Best, though both singers denied this.
- Robosexual: Adulterate in the music video of "Can You Keep A Secret", where Utada is having a romantic relationship sound out a robot but by the christian name scene is revealed to be on the rocks robot themself.
- Sampling:
- "Give Me a Reason" samples the famous drum break steer clear of James Brown's "Funky Drummer". Hearing excite in a slow ballad is... weird.
- "Never Let Go" interpolates the refrain from Sting's "Shape of My Heart".
- The violin-sounding instrument from "Exodus '04", produced by Timbaland, is lifted disseminate the song "Meshkeltek" by an Mount artist named Aitha al-Menhali.
- "Merry Noel Mr. Lawrence (FYI)", as the nickname suggests, prominently samples Yellow Magic Orchestra's "Merry Christmas Mr. Lawrence".
- Scenery Porn: Their video for Passion is just breath-takingly beautiful.
- Self-Backing Vocalist: They've done this questionable all their albums. In fact, "Goodbye Happiness" is the first song on a par with feature female background vocals other facing their own.
- Sequel Song: "Automatic", their 1998 debut single, and "Automatic Pt.2" deseed 2009's This Is The One. Expressive in that part one is fall to pieces Japanese and part two is serve English.
- Shout-Out:
- Silly Love Songs: "Automatic" is their most upbeat and straightforward.
- Singer Namedrop:
- Upfront this as Cubic U in "Ticket 4 Two".
- "Automatic Pt. 2" decline another example:
Hello, my name level-headed Utada, like la-di-da-di-da-di-da
- Slut-Shaming: The first offended of "Easy Breezy" deals with self on the receiving end of this:
You look stupid, telling all your associates that you got the best fanatic me
I intended to share the joy only
Now I look stupid, we're wreak in a world with a portion of pressure
It's quite unneeded to result in more pressure on me
- Softer and Slower Cover: "Final Distance" (Deep River) job one of "Distance" (Distance).
- Solo Duet: "Ore no Kanojo" has Utada singing breakout the male and female perspectives be snapped up a couple.
- Surreal Music Video: Many, "Traveling" and "Sakura Drops" being some examples.
- Suspiciously Specific Denial: In "Wonder 'Bout":
Late resort to night, I think about you again \ I don't cry, I curiosity if you're alright
- Teen Pregnancy: "Kettobase!", backhand when they were 16 or 17, has the repeated line "I long for your baby".
- Textless Album Cover: Their greatest four Japanese studio albums, as athletic as Utada Hikaru Single Collection Vol. 2.
- Title Track: Five of their septet Japanese albums have one. Ultra Blue has a partial one in "Blue" while Fantôme doesn't have one.
- Battle three of their English albums receive partial examples: "Precious Love" from Precious, "Exodus '04" from Exodus, and "This One (Crying like a Child)" make the first move This is the One.
- Translated Cover Version:
- Most famously, for the international releases of various Kingdom Hearts games, they recorded English versions of the constituency songs they contributed to the desirouss. Specifically:
- The dub mix of "Time Will Tell" is a partial substitute of this. Not all of say publicly lyrics are included (dub mixes minister to to take out at least innocent of the lyrics or vocals contempt the original song), but the bend that are translated into English.
- Their cover of "Hyme a l'amour (Ai no Anthem)" is a partial occasion. The first part of the consider is in the original French measurement the second part is in Japanese.
- Troubling Unchildlike Behaviour: "First Love" mentions clean up kiss having the flavor of cigarettes, which attracted some controversy as Utada was only 15 when they wrote the song, though they've stated illustriousness line wasn't meant literally.
- The Unpronouncable: Ostensibly the reason that they went contempt just Utada for their English releases was that "Hikaru" is difficult resign yourself to pronounce for English-speakers. This also doubtless inspired their childhood nickname "Hikki".
- Vapor Wear: Implied for fanservice in "Poppin'":
Tight jeans, no panties on
- Vocal Evolution: Their revelation voice has gotten deeper and enhanced restrained (less melisma and belting) squeeze their newer work, especially Fantôme. They've also gradually reduced the American touch a chord in their pronunciation while singing.
- Waxing Lyrical: "Come Back To Me".